She was born the third of ten children. At the age of 12, she left home to live with a more prosperous family where she began an adolescence as a house servant. She participated in various chores in a series of households including cleaning, cooking, sewing, child rearing until she was 27. That year she formed a relationship with a man who was also working for the same family. She married Thomas Moses and they moved to Augusta County Virginia where they helped to establish successful farming practices with locals and on their own property during the Reconstruction Era. In this time she gave birth to 10 children, 5 of whom died in infancy and were buried in Virginia.
In 1905, after many years of hard work and little of substance to show for it, the Moses returned to New York. Thomas bought a farm in Eagle Bridge. The farm was located in Renssselaer County just south of where they at first met and near the Massachusetts' border. This was home. This was were Thomas Moses, at the age of 67, died of a heart attack in 1927. Alone as a widow, but surrounded by her children and extended family, she continued to live on Eagle Bridge farmstead with the help of her son, Forrest. In 1936, at the age of 76, she retired and moved in with one of her daughters.
In this period she explored ways to focus her time and explore her creative energies. She had long ago dabbled in painting, and through her youthful employment, learned how to sew, which led her to practice the art of needle point. She also participated in Quilting Bees.
Around 1936, she returned her creative focus to painting after struggling with needlework due to arthritic pain. Thus began her productive years as a painter on the road to the fame she eventually acquired.
In 24 prolific years as a serious artist, Mary Anna Robertson-Moses became one of the first Superstars whose fame extended beyond the contemporary Art World at the time to capture the National Imagination.
The Smithsonian American Art Museum states in an introduction to the exhibition that its goal is to possess the largest collect of Moses' works.
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