One of the things I occasionally do is just pick a theme, a genre of art, and wander stopping at paintings that fit my theme. During this visit, I chose landscapes. Here are four that I spent time with on this visit to the Delaware Art Museum.
Randuwa II
Monday, July 27, 2026
Delaware Art Museum: My Chosen Exhibition
One of the things I occasionally do is just pick a theme, a genre of art, and wander stopping at paintings that fit my theme. During this visit, I chose landscapes. Here are four that I spent time with on this visit to the Delaware Art Museum.
Delaware Art Museum: The Pre-Raphaelites (Highlights)
I share something from every visit, and so this time I'm keeping it brief and only identifying 4 works. Also, I'm reaching out beyond works on canvas to show off some of the other forms of art that are part of this expansive collection.
But first, a super quick tutorial on the Pre-Raphaelite Movement. It began to formalize itself at the end of 1848 when a group of friends and acquaintances who were artists and poets and writers formally rejected the carefully developed rules and expectations of their contemporary canon as maintained by the Royal Academy of Art, among other national institutions. The original group of seven men christened themselves the Pre-Raphaelite Brotherhood. In rejecting the status quo, they adopted what they believed to be a freer style where nature and the natural world rose in value and idealistic themes of valor and romance entwined with stories from the Bible, Arthurian Legends, Myths and even Shakespearean settings. The movement was not long lived, but the ideals behind it continued to expand and evolve into all sorts of directions and media.
What began as a brotherhood, soon found itself with a wide range of sisters who took up the ideals. What was a works on paper sort of movement (painting and writing) quickly diversified to include all manner of ornamental and utilitarian creations from Wallpaper and Fabric designs to Glassware and Jewelry, from furniture to pottery to stained-glass, to arguably even architecture. The desire to be original, to discover something pure, worthy of admiration is not new. However, I wonder when such a motivation has influenced so many others (whether we even realize it or not) in the history of modern art? Just the start of a conversation...some day.
- Florence C. Roberts (c. 1879 - 1930)
I look at this vase and I am immediately drawn to Art Deco and the works of legendary North American Pottery mills like Rookwood in Cincinnati or Van Bruggle in Colorado. You just can't get to "B" without "A".
- Edward Burne Jones (1833 - 1898)
Sunday, July 26, 2026
Delaware Art Museum: Jamey Grimes: Aster
Every visit to Wilmington also always includes a stop at the Delaware Art Museum. Like the Brandywine Zoo, this is an absolute gem of a regional art museum with both a lovely range of 19th & 20th Century American Art, a thought-provoking collection of Contemporary Art, and a few rather unique collections, the depth of which you'll not likely find anywhere else. These are the works of the Pre-Raphaelite Movement, American Illustration and the paintings of native son, John Sloan of the Ashcan School. For a little icing on this cake, there is also an expansive Modern Sculpture Garden behind the main building.
The two-story entrance of plate-glass windows is filled with glorious colorful glass discs by America's greatest living Glass Sculptor, Dale Chihuly, casting a decidedly modern appearance to the cavernous Catherine A. Fusco hall. Often set with larger works from the museum's collection, this visit found it home to an amazing installation stabile sculpture by another contemporary artist, Jamey Grimes.
Rather than share about someone I know nothing about! You know me... I'm going to share the text from the wall blurb:
JAMEY GRIMES: ASTER
"Through his manipulation of synthetic materials, Jamey Grimes constructs sculptures that engage the viewer in an exploration of form and space. This site-specific installation for the Catherine A. Fusco Hall is part of the artist's ongoing Aster series. Reminiscent of natural forms and phenomena, like cellular tissue, cirrus clouds, or a starling murmuration, Aster fills the space with sweeping energy. For Grimes, the desire to create is 'fueled by encounters with nature and playful experimentation with synthetic materials.' His skillful handling of corrugated plastic leads to the turbulent form that appears to swirl above us."
ENJOY!
Saturday, July 25, 2026
Jasper Crane Rose Garden, Wilmington, DE
Brandywine Zoo, part 3
There are three species of Lemur. The Black and White Ruffed Lemurs which are Critically Endangered in their native habitat. The Ring-tailed Lemurs which are Endangered. And the Crowned Lemurs which are also Endangered. You can sense a theme here, right? Given the status of these animals, the zoo is a participant in the SSP (Species Survival Programs) for all three. To date only the little Crowned Lemurs, Sophie and Kipp, have gotten on board, and in a big way--they have managed to produce 4 successful offspring since arriving with the opening of the habitat in the autumn of 2020.
During this visit, they were not on display because their latest arrival, Kian, who was born back in mid-May has reached the point in their development where they no longer spends all of their time clinging to Sophie or Kipp, yet they're still small enough that they could conceivably squeeze their way out of the habitat. They're growing fast and should reach a size where this is no longer a possibility in a few weeks. Also, the zoo should be able to determine Kian's gender soon, as well.
Friday, July 24, 2026
Brandywine Zoo: part 2
G) Continuing our visit today, the next couple of habitats have long been on my naughty list. The first is a small primate habitat that was once (not that long ago) shared by two species, and is today the home of one. The beautiful White-faced Saki monkey from South America. The zoo is home to a familial pair (Mother - Son). I love them. What I hate is the Zoo's choice of mesh. It makes photography nearly IMPOSSIBLE!
H-J) The next building has long served as their "Reptile House". It's not a house you can enter, but a series of three large habitats that have outer facing windows. Here's the Problem(s):
2 - The glass barriers are always FILTHY with streaks and smudges that further impede any hope of clearly seeing what's inside.
3 - The brilliance of natural, sun light, further obscures the blurred details within.
4 - The ability to take a photograph is simply non-existent. Which also is very disappointing.
The animals present were not daunted. Of the expected 5 species, 3 were out and about. Two male Guianan Squirrel Monkeys (Marzo & Frederick), a red-footed Tortoise, and a pair of Patagonian Mara who are also brothers. The over-all initial theme of the habitat is about illegal exotic pet trade, so breeding is not on the agenda. But a keeper with whom I chatted, indicated that it may happen that changes in occupants in the future could result in SSP (Species Survival Program) breeding.

