While part of their charm is their muted palette. This was not the intention of Whistler. Both contemporary descriptions of the the works and examination comparing the condition of the pigment indicates clear and obvious loss of hue.
The images are organized chronologically and thematically. I will just provide headers that correspond to those found in the exhibit. I have selected one or two images from each grouping.
FIRST WATERCOLOR
"Grey and Silver--Liverpool"
1881-1883
EARLY WORKS
"Note in Blue and Opal--Jersey"
1881
"London Bridge"
1881
SEASCAPES AND RIVER VIEWS
"St. Ives; Cornwall"
1884
"The Anchorage"
1882-1884
"Grey and Silver--Pier; Southend"
1882-1883
DOMESTIC INTERIORS
"Violet and Amber--Tea"
1882-1884
"Bravura in Brown"
1883-1884
IN THE STUDIO
"Milly Finch"
1883-1884
NOCTURNES
"Nocturne; Grey and Gold--Canal, Holland"
1882
"Nocturne; Grand Canal, Amsterdam"
1882
STREET SCENES
"Flower Market; Dieppe"
1885
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