The story is an allegory with mythic aspirations. There is a mix of all too contemporary tragic familial and societal violence wrapped in an epic journey in search of revenge and justice and hip-hop and Afropunk. While there was enough gore and blood to please any Ancient Greek, there was also humor, which the audience seemed (at first) reticent to acknowledge. But I was fine with it and along with a couple of others managed to open up the room. It's understandable when you begin your story with twins who have been disfigured by horrible burns while toddlers.
The actors were all delightful, in for a penny, in for a pound. Their commitment to the work smoothed my path. The sets were simple and beautiful. The use of shadow puppetry was effective and creative bringing greater depth to the story-telling. Today's matinee was the play's penultimate performance, and final offering for the company's 17th season. I look forward to what season 18 will bring.
Anaia (Morgan Danielle Day) and Racine (Devin Nikki Thomas) twins about to embark on an epic journey of revenge and justice.
She (Jasmine Joy) their mother (a.k.a. God) who was horribly disfigured in a fire set by their father intended to kill her, but somehow she's lived on for nearly 20 years. Now, she commissions her daughters, also burned in the fire to exact justice against him.
The moment of realization.
Chuck Hall (James J. Johnson) the washed up lawyer who got their father off in court with Racine.
Riley (Ethan Hart) and Scotch (Corbin Ford), their fathers new children, also twins.
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