The set was an elaborate recreation of the inside of a convenience story in Toronto complete with lots of culturally appropriate references like the Canadian Lottery and the selection of the crisps on the rack. In one scene clearly Canadian currency is exchanged during a purchase. And while its not like the play was set in Nepal or Uruguay and needed to appropriate items from those places, it was still a delight to see the attention to details.
The cast is made of five actors: Father, Mother, Daughter, Son and 1 ensemble player who took on four roles. As an ensemble, they made a nice balance. From what I know from previous exposure to some, Tuyét Thį Phąm was the most outstanding of the company in the role of the Umma (the Mother). She brings a quiet presence to any part that can transform a moment by the most subtle or unexpected turn. As the scene between herself and her son close, he reached down to grab his backpack and in pulling up onto his shoulder, a plate with half-a-dozen soda cans toppled. She immediately stooped and re-established order. At first, I thought what a brilliant metaphor for the role of her character in the family. Then I thought about the expression of the actor playing the son's face. It was an unintentional gaff. And without skipping a beat, she made something remarkable out of it.
Playing until the 27th of July, recommended for my local peeps--although I learned from the young woman sitting next to me that the rest of the run is sold out. In fact, tonight was sold out and she got in with a stand-by ticket.
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